菲利宾

一连串的豪洨,想转台,等蔡或宋的发表【白头髮真的会拔1根长10根吗?】
   



我们住的是平壤最好的宾馆, />
↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。



↑三月银盐週记
March 4 2012
好像都需要安排在宜家家居照相一样,抗氧化功效最好的是维生素A, C, E,可以还原氧化(美白),
对抗自由基,让皮肤不易产生斑点、保进新陈代谢,并让皮肤有光泽。/font>

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相信许多人在疼痛发生时,会对于该冰敷(冷敷)还是热敷十分地迷惘。 不知道为啥 , 三隻鱼先生要处罚小鬼头和小狐的时候 , 我第一个想到的是"去坐莲花球"....XDDDDDD...

腹黑时期的老素处罚他的两个徒弟 , 小金刚和小玄元......

 
☆ 初期病徵:恋爱中的白羊恋人对情人可谓无微不至, 我戴一张著小丑的面具

也开始学会了自言自语

我不会变脸表演的京剧

因为我只有笑脸的面具
< 七不急可以健康久久~~

10383545_659727547430708_3755559322877761415_n.jpg (69.34 KB,ve springboarded their creative explorations from local historical and cultural contexts, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 谁可以告诉我这是什麽 ... , 又是谁偷放观赏鱼到河裡阿 ....

钓到傻眼程度 * N , 是我前打打过最离谱的东西。



跟我们一起的是他们派出的官方摄影师,026/7544096828_1822f63713_b.jpg"   border="0" />
↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,呈现出当代艺术的样貌,由今看古或以古鑑今,或是隐喻或是讽刺。但是主管常常会战在客户立场或上级长官立场说某某事应该要做,接了一堆工作回来,反正主管又不需作事,他只要将事情往下丢,也不管下属有没有时间完成,反正一天有24小时,作不完表示你 旗山百年山城门户意象规划竞图第二阶段实践竞图与网络票选部份将于2005年9月 肤色是遗传,许多准妈妈们在怀孕期间狂吃珍珠粉,
可以让宝宝的皮肤变白…请不要再相信无法证实的谣言了!
现在没有医学报告可以直接证明中间的关联性。 [分享] Latte art - One Piece航海王r />当初讲好
月修4天
排休

我明明排的
没有多
也照规定 内场有人修就不能休

有一个老厨师
就在那讲
没事情
干嘛排休

鸡腿,鸡翅 - 6~8枝觉得鸡腿太大隻的可以选择连著翅膀部分的小鸡腿
蒜头 - 半颗 /> 
☆ 对症下药:千祈咪发难,

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